The Terror: Devil in Silver: Dan Stevens and Creators Break Down the Finale's Carnage

When a young boy goes missing in a small sleepy town, a newly reassigned prosecutor begins to uncover unexpected links to an old missing persons case.

Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession both for Roy and Jillian is ratcheted up a notch when they begin to have a vision of a mound with vertical striations on its side as a key to what is going on. While the obsession negatively affects Roy's life as he knows it in its entirety, Jillian knows she has to find the answer as to its meaning, especially as it relates to her only child, three year old Barry Guiler, who may be more attuned to what is happening than the adult figures around him. These two stories have the potential to intersect if Roy and Jillian can discover where they've seen that mound before, and if they can overcome what they believe to be the lies perpetrated by those in authority in covering up what is going on.

Linda Liddle and Bradley Preston are two colleagues who find themselves stranded on a deserted island after they are the only survivors of a plane crash. They must overcome past grievances and work together to survive, but ultimately, it is an unsettling and darkly humorous battle of wills and wits to make it out alive.

It’s 1998 and over the course of one night at an Arkansas hospital, a junkie nurse, her scheming cousin and a group of black market organ-trading criminals get caught up in a heist gone wrong.

“Hoppers” features the voice of Bobby Moynihan as King George, an undeniably optimistic, kind and larger-than-life beaver who is the leader of the pond and king of the mammals. Jon Hamm voices Mayor Jerry, a politician running for reelection in Beaverton. Under his shiny, perfectly coiffed hair and matching public persona, Jerry is losing his cool over the one thing he can’t control: Mabel

Millie arrives at a wealthy household seeking stability after instability. The Catalyst appears in the uneasy dynamic between Nina and Andrew, where generosity carries control beneath it. Millie responds by reading the room and using charm as survival instinct. As the Collision builds, attention, jealousy, and shifting alliances turn the home into a tense psychological arena. A Moral Pivot arrives when Millie must choose whether to remain pliant or assert herself within a system that rewards manipulation, and the cost of either path presses directly on her sense of identity.

A New England mayor trying to boost tourism on his island must navigate strange events suggesting it might be cursed.

Told over the course of six years and one week in Barry’s Bay - the quintessential lake town - Every Year After is a romantic, nostalgic story of first loves and the people and choices that mark us forever.

Spider-Noir is a live-action series based on the Marvel comic Spider-Man Noir. The story follows an aging and down-on-his-luck private investigator in 1930s New York, played by Academy Award winner Cage, who is forced to grapple with his past life as the city’s one and only superhero.

In a seemingly picturesque retirement community, a group of unlikely heroes must band together to stop an otherworldly threat from stealing the one thing they don't have - time.

Inspired by the 1991 remake directed by Martin Scorsese and produced by Steven Spielberg, a storm is coming for happily married attorneys Anna (Amy Adams) and Tom Bowden (Patrick Wilson) when Max Cady (Javier Bardem), the notorious killer they are responsible for putting behind bars, is let out of prison — and he wants vengeance.

From the executive producers of Lost, FROM unravels the mystery of a nightmarish town in middle America that traps all those who enter. As the unwilling residents fight to keep a sense of normalcy and search for a way out, they must also survive the threats of the surrounding forest – including the terrifying creatures that come out when the sun goes down.