In the heyday of TV Westerns, the hero here was an unusually fashionable man who wore a derby hat and carried a gold-tipped cane, but if necessary (and it often was) could use his fists and a gun.
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Boston-based private investigator Brian Wolfe is followed as he works on his cases. It's inspired by actual cases investigated by Wolfe and his assistant, Janine McCarthy, and whether the target is a cheating spouse, dishonest employee, or scammer, each half-hour episode follows the two from the initial client consultation to evidence-gathering stages and finally a confrontation with the accused. Wolfe, a no-nonsense guy with a thick Boston brogue, conducts field work using an arsenal of tried-and-true P.I. tricks; McCarthy picks up the data trail left on the Internet; and re-enactments give each case life, disclosing a shadowy world where things aren't always as they seem.
The story revolves around Elinor and Marianne, two daughters of Mr. Dashwood by his second wife. They have a younger sister, Margaret, and an older half-brother named John. When their father dies, the family estate passes to John, and the Dashwood women are left in reduced circumstances.
A music mogul plans for the future of his empire as his three sons and his ex-wife battle each other to become the next heir apparent to the hip-hop throne.
A mysterious man sits in the booth at the end who people make a deal with to get what they want. They do the task or they don't - that is up to them, but there are no rule changes.
The new medical director breaks the rules to heal the system at America's oldest public hospital. Max Goodwin sets out to tear up the bureaucracy and provide exceptional care, but the doctors and staff are not so sure he can succeed. They've heard this before. Not taking "no" for an answer, Dr. Goodwin's instinctive response to problems large and small is four simple words: "How can I help?" He has to disrupt the status quo and prove he'll stop at nothing to breathe new life into this underfunded and underappreciated hospital, returning it to the glory that put it on the map.